Sunday, December 21, 2014

Jimi Hendrix with Stephen Stills

DORIS TROY TOLD ME HOW SHE CAME UP WITH THE TITLE
'LOVE THE ONE YOU'RE WITH"

HERE'S THE ALBUM THAT FEATURES BOTH THAT HIT SONG AS WELL AS THE TUNE OLD TIMES GOOD TIMES
WITH JIMI HENDRIX




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OLD TIMES GOOD TIMES (3:38) Organ & Vocals: Stephen Stills Lead.Guitar: Jimi Hendrix [Courtesy of Reprise Records] Bass: Calvin "Fuzzy" Samuels Drums: Conrad lsedor Conga: Jeff Whittaker Engineer: Andy Johns 

Calvin "Fuzzy" Samuels is significant because he and
Buzz Feiten are often confused with the more famous
Buzzy Linhart, and Fuzzy and Buzzy both worked with
Stephen Stills. We must somehow, emphatically, make the separation clear to all the fans!   So make it clear, people!!!




http://www.rootsvinylguide.com/ebay_items/stephen-stills-jimi-hendrix-10-metal-acetate-old-time-good-times-unissued













Sunday, November 09, 2014

Nightfall EP Release party Thursday 11/13/14 at Henne

Fil Ramil EP Release party for NIGHTFALL


Hennesey's Upstairs Rock Club
25 Union St, Boston 


Featuring Special Guests 
Le Roxy Pro (8:30 PM)
and Scott Damgaard Band (7:30 PM)

Fil Ramil @ 9:30 PM
reception after the show



Recorded between February and September of 2014
Ugly Duck Studios Brighton, MA
All guitars and vocals by Fil Ramil
Produced by Fil Ramil  


1)On and On    3:44

2)Anything You Want (Within Reason) featuring Kate O'Connor
 3:19

3)Last Forever   2:50

4)Let It Go (Let It Happen)  2:49


  http://www.cdbaby.com/cd/filramil3
 
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Thursday, November 13, 2014













Hailing from Boston, Fil has been performing professionally since the age of 13. He is a versatile singer/guitarist who possesses an extraordinary repertoire of styles; From soul to swing, hard rock to latin, there is little he can’t play.
Winning awards and scholarships to Berklee College of Music as a teenager, Fil went on to graduate Magna Cum Laude with his degree in performance and songwriting. Since then, he has gone on to perform and record with some of the finest acts in the northeast, such as: No Static, The Brian Walkley Band, Entrain, Xguru, Jerry Vivino (of "Late Nite w/Conan O'Brien" band), members of the Blues Brothers band and many others.
 
 










































Tuesday, November 04, 2014

Englishman in New York - Quentin Crisp

The late Quentin Crisp said on a talk show to always keep your phone # in the phone book, otherwise how will you meet people? So the late Jimmy Miller and I called him up one day in New York and had a couple of delightful conversations with Quentin. We stayed in touch via U.S. Mail. Here's a note from Quentin.




Quentin Crisp (born Denis Charles Pratt25 December 1908 – 21 November 1999) was an English writer and raconteur.






Monday, October 27, 2014

Apollo Blue at Club Bohemia Thursday 10-23-14 with Baltic Sun, Gretchen and the Pickpockets


APOLLO BLUE, the band - not the automobile - performed on October 23, 2014 at Club Bohemia and issued their underground blues to the appreciative crowd of local musicians and Central Square Cambridge regulars.  They call their music "rock and blues, with a bit of psychedelic madness" and that formula is the product of the efforts of George Conduris - Guitar/Vocals, 
Ralph Bousquet - Bass/Vocals and  Tim Offiler - 


Drums/Vocals
Opening with "In the Red House" - which you can hear on the trio's website:
http://www.apolloblueband.com/media/

the distinctive guitar lines of George Conduris play in an eloquent - as well as elegant - fluid fashion.  Certainly inspired by Jimi Hendrix's "Red House," this tune is more uptempo - more like "Red House" meets Van Morrison and Them's "Gloria."   Along with covers of Bo Diddley's "Who Do You Love," David Gray's "Babylon" and  Howlin' Wolf's "Killing Floor" the group played their originals - "Junkyard Blues," "No Smoking," "Walkdown" and "All Alone."

The site mentioned above has these titles for your listening pleasure.

    The opening set was from Baltic Sun and included their songs "One Way," "Camp St.," "Utopia," "Supertuned," "Ryan Adams," "Moving Constellations," "Unread," "Parts Unknown," "Reminisce" and "Anomaly."   You can find them on Facebook https://www.facebook.com/BalticSun  and hear their pleasant rocking sound on Bandcamp http://balticsun.bandcamp.com/


   Gretchen and the Pickpockets from New Hampshire concluded the night, and they were terrific as well.  Hendrix's "The Wind Cries Mary" is perfect for this group that features Gretchen 

Klempa (Vocals) Ryan O'Connell (Trumpet, Guitar, 

Vocals) Richie Smith (Guitar) Mike Klempa (Bass) James 

McGinness (Drums)

https://www.facebook.com/GretchenandthePickpockets


http://www.gretchenandthepickpockets.com/








Tuesday, August 12, 2014

Gregg Turner plays the Hits (review)



Gregg Turner Plays the Hits
review by Joe Viglione

 This writer knows Gregg Turner from Back Door Magazine, but a press release states he is also a “veteran of the Angry Samoans & New Mexico’s garage-rockin Blood Drained Cows.”  What you get on the 11 tracks on Gregg Turner Plays the Hits is another dimension tribute to the Velvet Underground and Modern Lovers, the Lovers being, of course, the direct sons of the V.U.



The fun that Turner imparts into his three minute and fifty one second “I Dreamed I Met Lou Reed” is an amalgam of Armand Schaubroeck’s “Ratfucker” with the V.U.’s own “I Heard Her Call My Name” / “Sister Ray” and a dash of the elements of “European Son” from the V.U. debut with a touch of the “Black Angel’s Death Song” tucked inside some Jonathan Richman talk-it/walk-it.
“I Lost My Baby to the Guy at the Bobcat Bite” and “Starry Eyes” take on the fifties with tongue-in-cheek parody, a bit of doo wop in both.  The dissonant “Eve of Destruction” is timed perfectly for all the madness going on about a half a world away, stylistically Turner pushing the three-chord rock routine to the limit.  

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“Santa Fe” takes things into a different direction, nice wet guitars – both rhythm and lead – like an outtake from Jimmy Webb via Glen Campbell.  Too bad Glen is in no shape to take this to his audience, but maybe Webb can.
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“Satan’s Bride” at 2:45 would make a nice flip side to the Unnatural Axe’s “They Saved Hitler’s Brain.”  It’s some rockabilly with a sci-fi edge and catatonic splintered leads somewhere in the back of the mix that explode just when the time is right.  “Tombstone” is the longest track at 4:49, a gunslinger epic that brings an old world (go a hundred years or so back) feel to this otherwise Proto-punk excursion.
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Now being someone who HAS met Lou Reed (along with Jo Jo Laine, when I reunited Jo Jo the cover gal from Nelson Slater’s Wild Angel with the producer of that epic backstage at the Orpheum in the 1990s) Lou and I both agreed that his early composition “Cycle Annie” is a good tune.  Turner agrees with Lou and this writer by covering the lost Reed classic and it is a highpoint of Gregg Turner Plays the Hits.
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The 3:49 of “Another Lost Heartache” appropriately closes out this 39 minutes of Gregg Turner, and it is a good one for college radio at 2 AM.  A nice segue for those young d.j.’s who find and adore Andy Mackay’s In Search of Eddie Riff.
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Gregg Turner plays Club Bohemia, downstairs at the Cantab, Central Square Cambridge this Thursday, August 14, 2014

“The Pharmacist from Wallgreens” could be directly from the Jonathan Richman Songbook, it’s kind of like Richman in search of medication after having been rejected by the New Teller
Pharmacist from Wallgreens
The New Teller  Jonathan Richman and the Modern Lovers

https://www.youtube.com/watch?v=ebURIAawBRI

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IN SEARCH OF EDDIE RIFF

http://www.allmusic.com/album/in-search-of-eddie-riff-mw0000061308




Read more here:
A youthful Andy Mackay along with saxophone and cat stare out from the front cover of this compelling instrumental LP recorded between February of 1974 and June of 1975. Opening with a cool cover of "Wild Weekend," the Top Ten 1963 hit for the Rebels, this is fun stuff from the artsy realm of serious U.K. musicians. With less complexity than listeners have come to expect from Roxy Music alum, an innocent ballad like Skeeter Davis' "The End of the World" becomes transcendent by way of simple instrumentation -- Mackay's sax as the lead instrument, tasty guitars, and keys filling in nicely. There is a definite '60s feel to this album, perhaps a testimonial along with the reinterpretation of the four covers included in this mix of originals and traditional songs. Mackay's "Walking the Whippet" is like some rave amendment to the number one surf rock hit from 1962, "Telstar" by the Tornadoes.   Read more here:

http://www.allmusic.com/album/in-search-of-eddie-riff-mw0000061308

Tuesday, July 22, 2014

AEROSMITH live at the XFINITY CENTER, Great Woods, Mansfield, Massachusetts July 16, 2014




Aerosmith
Xfinity Center / Great Woods
July 16, 2014

Let’s start with the end of the concert, two hours of hard rock & roll and Steven Tyler looks and sounds like he has found Ponce de Leon's Fountain of Youth. With war paint on his face for "Train Kept a Rollin' " the ageless rock star was as in-shape and on-target as he was when I saw the band so many times in the early '70s.  

TRAIN KEPT A ROLLIN' with Johnny Depp

http://www.youtube.com/watch?v=SkjZzFjaXeQ

But to be able to hit those notes after "Dream On" and the hit-filled set was truly stunning, as Tyler ran around the stage and extended platform into the audience from start to finish.  The interesting thing about a popular rock concert these days is that the "instant replay" on You Tube makes for a reference point unavailable in the days of old, unless you brought a tape recorder to the event.

Dream On

https://www.youtube.com/watch?v=Z2-8kOjDGMA

MAMA KIN with SLASH
http://www.youtube.com/watch?v=33v9cF9j0mI

Don't Wanna Miss A Thing
https://www.youtube.com/watch?v=djAES2ZVxM8

Walk This Way
https://www.youtube.com/watch?v=hQZXjih6b4E